Kannada cinema gets its own date

March 3 to be celebrated as Kannada Cinema Day

March 02, 2013 08:34 am | Updated March 03, 2013 05:15 pm IST - BANGALORE:

March 3 is an important day in the 79-year-old history of the Kannada film industry. Sati Sulochana , directed by Yaragudipathi Varada Rao, was released on that day at Paramount (now Parimala theatre near City Market).

The day will even more special henceforth, with Karnataka Chalanachitra Academy deciding to celebrate it as the Kannada Cinema Day from this year. There is a plan to focus on one face of Kannada cinema every year and this year’s theme is music.

A function has been organised at Vartha Bhavan on Infantry Road here to mark the occasion.

Exhibition

An exhibition of photographs on Kannada film music will be the major attraction of the event.

Photographs of those who have scored music for Kannada films — from R. Nagendra Rao ( Sati Sulochana ) till Sadhu Kokila and Harikrishna — will be displayed. One can have the glimpse of rare photographs of B.V. Karanth, Vijay Bhaskar, Upendra Kumar and G.K. Venkatesh, besides portraits of noted singers from P. Kalinga Rao to M.D. Pallavi. Pictures of lyricists such as Bellave Narahari Shastry, G.V. Iyer, Chi. Sadashivaiah, P. Lankesh, and Doddarange Gowda will also be displayed.

Book release

Kannada Chalanachitra Sangeeta , written by N.S. Sreedharamurthy, will be released at the function. Sreedhar Sagar’s troupe will play classic Kannada songs in Saxaphone.

Veteran actor Jayanthi, director Siddalingaiah, veteran music director R. Rathnam and producer K.C.N. Chandrashekar will be felicitated on the occasion.

First talkie

Sati Sulochana is the first Kannada talkie, released just three years after the first Indian talkie hit the screen. Stalwarts from professional theatre such as R. Nagendra Rao, Lakshmi Bai and Tripuramba were in the main cast.

Shah Chamanlal Doongaji, who launched South India Movietone-film Production Company in 1932 in Bangalore, spent Rs. 40,000 and shot the war sequences by using two cameras.

The film ran houseful for six weeks in Bangalore and Mysore.

This article has been corrected for an editing error.

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