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Pitching it high
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Rajat Kapoor, Shilpa Nair Anand discovers, does not stick to formulaic commercial films with an eye on money
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Photo: R.V. Moorthy
CONVICTION Rajat Kapoor: ‘I have lost money on Raghu Romeo which didn’t do well commercially, but I stand by the film’
Actor, director, script writer, producer… these are the many faces of Rajat Kapoor. As actor – the elderly uncle in Mira Nair’s “Monsoon Wedding”, or Preity Zinta’s uncle in “Dil Chahta Hai”; as script
writer-director in films like “Raghu Romeo”, “Bheja Fry”, “Mixed Doubles” or “Mithya” and now “Fatso” (these are just some of his films by the way).
His latest offering “Fatso”, produced by Pritish Nandy Communications, was screened at the South Asian Film Festival in New York as the centrepiece premiere.
Kapoor is known as a director or producer who refuses to stick to formulaic commercial films with an eye on money.
“I have lost money on ‘Raghu Romeo’ which didn’t do well commercially, but I stand by the film. I will not do it any other way. I have no regrets about it. I joined Film and Television Institute of India, Pune, with a very clear idea of what I wanted to do. When I came in I knew exactly what I wanted to make and that is what I am doing,” he says in a telephonic chat.
He started out as assistant to Mani Kaul and Kumar Shahani, which is probably another of the reasons why his sensibility shaped up thus. This is probably why there are films such as “Bheja Fry” or “Mixed Doubles” or “Fatso”, all of which he has scripted, very offbeat but a fresh lease of common sense.
There are no superheroes, just your average next door person (man, woman…irrespective), in very identifiable situations. Even if it meant making a film that he believed in but never got released. “I made ‘Private Detective’ in ’95, it wasn’t released. I may have had to wait for another 10 years, so what? It is only now that the climate has changed.”
Making films is just an aspect of Rajat Kapoor, he has acted (and continues to do so) in many films. And then there is theatre. He refuses to be drawn into a comparison between theatre and films.
“Both mediums excite me in different ways. There is no comparison between the two, theatre is more immediate…the audience is right there. Films are a different process altogether, there is another kind of thrill in films.”
He says Rangashankara is like a “second home” because it is “familiar space”His repertoire includes plays such as “C for Clown”, “Blue Mug” and “Hamlet – The Clown Prince,” which has won many awards and many fans, going by the number of theatre aficionados raving about the play.
The play, which turns the whole perception of “Hamlet” as a Shakespearean tragedy on its head has received the Mahindra Excellence in Theatre Awards (META) in 2009 for Best Play, Best Actor, Best Director, Best Supporting Actress and Best Costume Design.
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