Visitors to Isha Yoga Centre had a glimpse of the vast wealth of Indian craft and spirituality
People stream into the hall near Suryakund, the holy water tank at Isha Yoga Centre. They have gathered here for the Navratri celebrations, which begin with a villupattu performed by Bharathi Thirumagan and troupe. Meanwhile, Hands of Grace, a crafts exposition, is held at the open grounds nearby. Stalls, designed like huts and made of palm leaves, have been put up by the artisans from different parts of India.
Patachithra from Odisha, stone vessels from Manipur, block-printed fabric from Gujarat...the expo displays at least 40 stalls. Sujith, the artist at the Bhavm Murals, welcomes you with a warm smile. He stocks printed coasters, wall hangings and pendants featuring Kerala mural motifs in bright hues.
The colourful folklores and myths of Rajasthan come alive at Dwarika Prasad Jangid, which displays Kawads, which are miniature temples made of wood with as many as 12 doors. Each door features a panel of stories, legends and even contemporary social issues.
Elephants, plum headed parakeets, yellow-footed tree pigeon and frogs…Dastakar Ranthambore, an NGO, has brought the entire Ranthambore forest, with them. Handcrafted by the village artisans of Ranthambore, the stuffed toys, jholas, quilts and kurtis, feature motifs of the flora and fauna in the forest. “We conducted a drawing competition in one of the villages where many local children and women participated. We have used some of the best ones on our fabrics,” says Ujjwala Jodha, a member of the organisation. The lovers of grand brocades can always count on the Banarasi weaves’s stall from Uttar Pradesh. They have exquisite saris and dupattas with grand borders and shining zari.
Dilawar Hussain, from Kashmir, shows off his collection of Kashmiri paper maiche jewellery boxes with enamel work. Another Kashmiri stall sells soft pashminas and silk dupattas. Cushion covers, bed sheets, table mats with appliqué work sit pretty at the home textiles stall from Gujarat.
At Dwaraka Plus there are mobile pouches and purses with Kalamkari work on them. They are priced at Rs. 100.
Want to see dancing toys? Visit the stall set up by artisans from Andhra Pradesh. They also have wooden ladles, vessels and even jigsaw puzzles. Lamps made from recycled paper light up Aurobindo Lamps, from Pondicherry. Made of handmade paper and newspaper, these come with detailed motifs.
The voice of Bharathi Thirumagan and her team rings through the breezy night air. By now, the crowd has grown. Many meditate as T. Kalaimagan, the main singer of the troupe renders “Bho Shambho”. Bharathi, the story teller explains the origin of villupaatu. “A king stopped hunting one day and decided to do something for the world. He wanted to stop killing animals and become a musician instead!” “Ooho aaha,” the accompanists shout. “So what did he do? He attached a pot to his bow and turned it into a musical instrument!”
The theme of the performance is centred on Madurai Meenakshi. “Malayadwaja Pandya and his wife Kanchanamalai prayed to Lord Shiva for a beautiful daughter. And that was Madurai Meenakshi,” says Bharathi. “ She was a scholar. She mastered all the seven arts!” At this point, T. Kalaimagan, the main singer belts out the bhajan “Om Kali”. The tabla, udukkai and the organs support him as Bharathi strikes the bow strings.
As the evening’s performance comes to a close, the devotees form a procession to Dhyanalinga. Here they do a holy parikrama. A maha arati is performed in front of the Dhyanalinga and prasadam is offered to all devotees.