Dance into the past

Constanza Macras about her performance that will integrate dance, music and script

February 11, 2015 09:07 pm | Updated 09:07 pm IST - Chennai

Constanza Macras. PHOTO: K.V. SRINIVASAN

Constanza Macras. PHOTO: K.V. SRINIVASAN

“I find the process of cheating history and recovering memory very interesting,” says Argentinian-born choreographer Constanza Macras, who is here in the city to showcase her latest production, ‘The Past’, a dance performance that explores the way memory manifests itself once the physical place that held it changes. “In ancient Greece, people used a mnemonic technique called ‘The Art of Memory’, in which buildings are used to remember things. In this specific piece, there are many ideas and concepts that come together in memory and architecture,” she says.

The dance performance, which will take place on February 12 at the Sir Mutha Venkatasubba Rao Concert Hall will see the performers integrate dance, music and script seamlessly. Also, the piece which was first performed in Dresden and then Berlin, has been modified to appeal to an Indian audience. “There are some specific things in the production that are meaningful only in Europe which wouldn’t work here. So I interviewed people from Chennai and Bangalore and included moments culled from those interviews in my production,” says the Argentinian-born choreographer, who has studied and worked in Amsterdam and New York before moving to Berlin, where she has lived for the last 20 years.

She founded her dance company there, “It was first called Lonely Tamagotchi — there was a time in the 90s when they were in rage and I really liked them. Then it became Tamagotchi Y2K because there was the Y2K panic,” she laughs adding that now it is called Constanza Macras/Dorky Park.

And like the nomenclature, the work the company creates has changed too. “The company has been changing: when I started, since I came from such a technical background, I rebelled against it and didn’t do things that were formal and pretty. The people I work with are not highly technical dancers. They are very real, have not always been popular, even a little nerdy. Dancing wasn’t important at first,” she says adding that “I work with a lot of high impact things that aren’t necessarily aesthetic. However, the technical level of company has gone up so it automatically becomes beautiful,” she says.

0 / 0
Sign in to unlock member-only benefits!
  • Access 10 free stories every month
  • Save stories to read later
  • Access to comment on every story
  • Sign-up/manage your newsletter subscriptions with a single click
  • Get notified by email for early access to discounts & offers on our products
Sign in

Comments

Comments have to be in English, and in full sentences. They cannot be abusive or personal. Please abide by our community guidelines for posting your comments.

We have migrated to a new commenting platform. If you are already a registered user of The Hindu and logged in, you may continue to engage with our articles. If you do not have an account please register and login to post comments. Users can access their older comments by logging into their accounts on Vuukle.