World Space: The graffiti says it all

June 16, 2012 04:47 pm | Updated November 17, 2021 10:46 am IST

The martyrs of Tahrir Square uprising. Photo: Special Arrangement

The martyrs of Tahrir Square uprising. Photo: Special Arrangement

The walls along the American University of Cairo (AUC) and the adjoining Tahrir Square narrate a compelling story of the Egyptian uprising. Stirring images depict the lofty and idealistic aspirations of the Egyptian youth and mourn the loss of those who fell during the course of the revolution. Street art has become a means to voice aspirations for a new era of freedom.

An image of Mubarak as both politician and general by noted painter, Omar Fahmi, has already acquired iconic stature. Situated at the corner of the Mohamed Mahmood Street that leads towards the AUC, the image rejects both Mubarak the dictator and the military clique that anchored his dictatorship. The role of women in the revolution's success is recognised by a mural showing them in Pharaohnic attire with arms raised. But the one that catches the eye is the tribute to those killed; a painting of young men with angel's wings. Khalid Said, whose custodial death in Alexandria sparked the uprising, is portrayed as is Ramy Sharkawi, the 28-year old graphic designer who was shot dead at Tahrir Square.

Egypt's young protestors are currently engaged in a grim battle with an embarrassed military, which is bent on defacing an inspirational part of the revolution's cultural heritage.

0 / 0
Sign in to unlock member-only benefits!
  • Access 10 free stories every month
  • Save stories to read later
  • Access to comment on every story
  • Sign-up/manage your newsletter subscriptions with a single click
  • Get notified by email for early access to discounts & offers on our products
Sign in

Comments

Comments have to be in English, and in full sentences. They cannot be abusive or personal. Please abide by our community guidelines for posting your comments.

We have migrated to a new commenting platform. If you are already a registered user of The Hindu and logged in, you may continue to engage with our articles. If you do not have an account please register and login to post comments. Users can access their older comments by logging into their accounts on Vuukle.