Structure it geometrically

Design patterns and angles should flow naturally, and create smooth symmetrical finishes, says Nandhini Sundar

The beauty of any building is defined by the form it takes, the geometry it projects. Any form, be it curved, inclined or multiple angled, is geometry. The manner in which this geometry is used, not only speaks of the era it represents or the theme it is inclined to but also the manner in which the functionality of the building is addressed.

Geometry can be brought into the form in multiple ways, as varied angles, rectangles, squares and circular surfaces. But what stands out in the final form is the façade, whether it is pronounced or the geometry is deftly fused into the structure, displaying smooth symmetrical finishes. A complex geometry on the façade can be arresting, even iconic, given its unique dimensions.

Software helps

With software coming to the aid of design, buildings are now displaying a complexity that was absent in an earlier era, though to understate the ingenuity of the exotic forms of the past buildings would be highly erroneous. The contours of a structure are essentially dictated by the site conditions, the location and functionality of the building. What finally emerges is a form that caters to these without blatantly appearing to be. Thus, an undulated site could have a form that is in split levels, a region receiving copious rains could display sloped roofs, a rectangular or a square plot could opt for a triangular or circular structure to bring in a difference. Likewise, the thematic representation has plenty of influence on the geometry of the structure. For instance, Mughal architecture displays plenty of geometry in the form of domes, squares, rectangles, all craftily fused into the façade in varied shapes. Geometry likewise can also be nature inspired, a building shaped like a lotus, a bird’s nest, or a sail.

Interestingly, while these dimensions are technically more apparent on the elevation, the interiors too could display fine geometry. This could manifest as a shape in the roof where it can be multi-dimensional, as walls, the interior elevations, as vents in the form of spectacular jaalis that bring in a fine play of light and shadows.

Thus, a room need not be a conventional square or rectangle but an odd shape such as a semi-circle or a triangle, inclined walls and split levels in the floor as well as in the roofs in a free flowing interior.

This presence of split levels would be evident in the exteriors too, with the form appearing stacked, demarcating the angles to create an arresting façade. The entry to the spaces could be arched to lend majesty to the space that is reminiscent of past eras.

It’s all about balance

Architect Yamini Kumar of Kumar Consultants says, “While bringing in geometry in interiors, it is important to ensure there is a balance between the simple and intricate patterns, regardless of the material used. Motifs should be carried through the structure to represent thematic integration. Care should be taken not to clutter with too many geometrical forms and elements in the décor that would create conflict.”

According to her, an angled wall should incorporate similar geometry in décor, be it an artefact, wall painting, or soft furnishing. While harmony is a must to ensure aesthetics, it is also important not to have the design forced, whatever be the pattern of geometry.