Notes of promise

It was an interesting concert by M.S.N. Murthy with Pantula Rama as accompanist.

February 28, 2013 04:16 pm | Updated March 08, 2013 06:56 pm IST

Deft touches: M.S.N. Murthy and Pantula Rama. Photo: M. Karunakaran

Deft touches: M.S.N. Murthy and Pantula Rama. Photo: M. Karunakaran

Madhuradhwani, an annual music festival dedicated to the violin, conducted by Shanmukhapriya, featured an interesting concert by M.S.N. Murthy of Visakhapatnam. Interesting because wife Pantula Rama gave him violin support. Rasikas know Pantula Rama as an accomplished vocalist and Murthy as her accompanist. For once, Pantula played second fiddle, in the true sense!

Subdued approach

The atmosphere got set with a two speed rendition of Navaragamalika varnam followed by Bhupalam, the first raga essay of the evening. The inherent volume in Murthy’s fingers added to the weighty presentation.

The raga was well negotiated with plain notes. Pantula followed with a more subdued approach making it even more emotional. ‘Sadachaleswaram’ (Adi-Dikshitar) gave enough scope for the duo to unleash swaras at varying speeds.

Saranga was really a refreshing selection (‘Neevadanay Gana’ - Tyagaraja). ‘Raghuvamsasudha’ (Kadanakuthuhalam-Adi-Patnam Subramania Iyer), which has gone out of fashion even with instrumentalists let alone vocalists, was presented next in all its lilt and gaiety. J. Vaidyanathan (mridangam) had a field day. Murthy then proceeded with a lengthy kriti by Tyagaraja ‘Rama Neeyeda.’ It was a bit of a surprise when Nalinakanti was chosen for the RTP segment.

Nevertheless, the couple did enough justice to the raga that gave ample scope for improvisations both during the ragam and tanam phase. The pallavi ‘Sri Raghu Rama Charu Tulasidala Dhama Sringara Rama’ set in tisra tripudai with eduppu in Samam was composed by his guru Sriman Krishnamacharyulu, it was learnt. The couple is known for their adroit handling of pallavis, however complex their structuring may be and that evening they lived up to their reputation.

Vaidyanathan’s anticipation was satisfying. Varali and Vaasanthi were the other ragas that featured in the ragamalika swaras.

J. Vaidyanathan’s playing, a combination of telling blows and deft touches, has reached the next level which is becoming evident in every concert he plays.

In the company of Anirudh Athreya (ganjira) the thani he presented was quite captivating with speed variations.

0 / 0
Sign in to unlock member-only benefits!
  • Access 10 free stories every month
  • Save stories to read later
  • Access to comment on every story
  • Sign-up/manage your newsletter subscriptions with a single click
  • Get notified by email for early access to discounts & offers on our products
Sign in

Comments

Comments have to be in English, and in full sentences. They cannot be abusive or personal. Please abide by our community guidelines for posting your comments.

We have migrated to a new commenting platform. If you are already a registered user of The Hindu and logged in, you may continue to engage with our articles. If you do not have an account please register and login to post comments. Users can access their older comments by logging into their accounts on Vuukle.