Born for Kainkarya

Valmiki portrays Lakshmana as the epitome of dedication.

March 01, 2012 04:11 pm | Updated March 02, 2012 02:45 pm IST

The painting depicts the incident when both Rama nd Lakshmana fainted after being hit by the nagastram.

The painting depicts the incident when both Rama nd Lakshmana fainted after being hit by the nagastram.

Next to Sri Rama, Valmiki turns the spotlight on Lakshmana to portray him as an embodiment of Kainkarya as what Rama is to dharma - (‘Ramo Vigrahavan Dharmaha') and (‘Lakshmano Bahi Prana Ivaaparaha'). His role extends from birth to the end of the kavya even spurning offer of the status of a Yuvaraja after Rama's coronation.

Sri Tyagaraja has epitomised Lakshmana's service in one sentence in the kriti (‘Lekanaa Ninnu') in Asaveri.

‘Soundaryamulalo

Sukhamu Sitammaku

Sowmithriki Kanula

Jaadalo Sukhamu.'

(To Sita the ravishing beauty of Rama is all-encompassing and to Lakshmana to read Rama's mind from the latter's eyes).

All the other references in his songs to Lakshmana are the way he lived up to this role. His life's journey as dealt with by Valmiki is co-terminus with Rama's fortunes. It was the way Rama held Lakshmana as his own shadow.

Says Valmiki:

‘Nahi Thena Vina

Nidraam Labhthe Purushottamah

Mrishtam Annam Upaaneetham

Asnaati Na Hi Tham Vina'

(Rama does not sleep or take food without Lakshmana by his side)

The same sentiment gets expressed when Guha relates to Bharata how Lakshmana served Rama by preparing a bed of grass under a tree and brought him water to drink and observed upavasa. Lakshmana drank the left over water.

‘Lakshmanena Yat Aaneetam

Peethvaa Vaari Mamayasaaha

Aupavasyam Tada Akaarsheet

Thathastu Jalaseshana

Lakshmanopi Akarto Tada'

This fact of Lakshmana's kainkarya has so fascinated Sri Tyagaraja that he has picturised this scene in the Kalyani kriti, ‘Evara Madugudu Raa.'

‘Vaaramu Needu Manasu

Dhaari Anusarinchuchu

Neramulekanu Aahara Sushuptulanu Nivaaranamu Jeyu Parichaaraka Bhaagyamu

Alankariyagu Sumithra Kumaaruni Paalanaiti'

(Everyday, understanding your mind, without fail, discarding sleep and food - the way Lakshmana served you, Rama, you have been completely his property – what boon can I ask of you?)

So moved is Kausalya by Lakshmana's dedication to Rama that on seeing the oblation to Dasarata by the sons at Chitrakuta, she exclaims

‘Itaha Sumitre Putras They

Sada Talam Atandritaha

Swayam Harathi Sowmitri

Mama Putrasya Karanaath'

(For the sake of my son, Lakshmana is put to this job)

This sentiment of Kausalya has to be seen in the light of what Sumitra advises her son on the eve of the departure to the forest,

‘Srishtatvam Vanavaasaaya

Swanuraktaha Suhrithjane

Rame Pramaadam Maa Kaarsheehi

Putra Braathri Gajjati'

(Lakshmana! You are born to do Kainkanya to Rama throughout his vanavasa. Do not fail in this responsibility)

While this is a factual assessment of what Lakshmana has to do, more is implied in it the play of destiny (‘Shrishtatvam Vanavaasaaya')

Sri Tyagaraja is quite aware of the invincibility of Destiny in strapping pain or prosperity on human beings according to past karma. In the case of Lakshmana he considers it a great boon when he says in the Divyanama

‘Sri Rama Jaya Rama Sringara Ramayani

Thanivaara Paricharya Seya

Sowmitri Munu

Tapamemi Jeseno Teliya.'

(I am unable to realise what penance Lakshmana did to be a servant of Rama to his heart's content).

Perhaps keeping this in mind he has tabulated what rewards purva-karma bestows on mankind. In the Kannada song ‘Ninnadanela.'

‘Karmaniki Taginatlu Kaaryamulu Nadicheni Dharmaniki Taginatlu Deivamu Brocheni Siddhaniki Taginatlu Siddiyu Galigeni Vittaniki Taginatlu Veduga Nadicheni'

(Events take place according to past deeds; dharma ensures God's protection; spiritual path confers siddhi; happiness comes according to wealth).

Sri Tyagaraja is so enraptured by Lakshmana's technique of service that he assures Rama in the Kuntalavarali kirtana: ‘Chentane Sada Yunchukovayya:'

Thalacheena Panulanu Ne Telisi

Thalato Nadachi Santasillu Dura

Palumaru Balka Paniledu Rama.'

(Whatever is in your mind, I will execute it. There is no need for you to tell me what to do).

Considering all these aspects of Lakshmana's Kainkarya, Sri Tyagaraja envies his role in the kirtana ‘Sowmitrhi Bhagyame Bhagyamu.' In fact, the saint considers only the two souls in the whole of Ramayana whose fortune is fortune – one Lakshmana and the other Sabari. Both are exemplars of devoted service – Lakshmana to Rama and Sabari to Matanga Maharishi. Has Lakshmana's role stopped with attending to ensure the comfort of Rama in the forest? While Valmiki described Lakshmana as ‘Bahi Praana Ivaaparaha' the truth of this has to be fully understood in Lakshmana's words when he drew the arrows in the bow to kill Indrajit. He proudly proclaims.

‘Dharmaatma Satyasandascha

Ramo Dasaratihi Yadi

Powrushe Na Apradowandaha

Sarainam Jahi Ravanhim.'

Lakshmana invokes Rama's valour to stand by him while releasing the arrow at Indrajit.

Not only in Kainkarya, but in valour too Lakshmana stands up to ‘Prana Bahischaraha.'

This particular identification of Lakshmana with Rama is so steadfast that when he is struck by Ravana's sakti weapon Rama is grieved beyond consolation. He mourns:

‘Dese Dese Kalatrani

Dese Dese Cha Bhaandavaaha

Tham Tu Desam Na Pasyami

Yatra Braath Sahodaraha.'

(In every country devoted wives can be found; in every country devoted relations: I do not find that country where a brother is like Lakshmana).

Sri Tyagaraja in the Saveri kirtana ‘Rama Bana Charanam' describes how Rama was moved to act on behalf of Lakshmana.

‘Thammudu Badalina Vela Suraripu

Themmani Chakkara Panchyakagani

Sammadito Nilabadi Kodandapu Jyaagoshamulana Jesitaa.'

(When his brother was hit by Ravana and the latter reacted with glee, Rama sounded his Kodanda to mark his presence.)

This provides a contrasting picture of Rama praising Lakshmana for the parnasala he built at Panchavati and Lakshmana reiterating his life's objective as service:

‘Paravanasmi Kaakutsa

Thvayi Varsha Satam Sthithe'

(As long as you live, Sri Rama, I am only your dasa).

Deeply moved by Lakshmana's kainkarya particularly during Rama's exile in the forest, Sri Tyagaraja pleads to his Ishta Deivata in the Thodi kirtana ‘Daasukovalena.'

‘Nemamuna Parichaya Nerpunu Pogaduvela

Sowmitri Tyagarajuni Matabalkite'

Sri Tyagaraja is firm in the belief that when Rama praised Lakshmana's services, he would have put in a word on behalf of Tyagaraja that his devotee was as close to Rama as Lakshmana himself. If Valmiki Ramayana is a ‘Kavya of Dharma' as exemplified by Rama, it is equally a ‘Kavya of ennobling Kainkarya - of the kind Lakshmana exhibited.

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