Tradition with finesse

January 09, 2014 04:00 pm | Updated May 13, 2016 08:19 am IST - Visakhapatnam

Students performing during the 58th anniversary of Visakha Dance Academy at Kalabharati, Visakhapatnam.

Students performing during the 58th anniversary of Visakha Dance Academy at Kalabharati, Visakhapatnam.

Lively presentation of a string of pieces from classical repertoire marked the celebration of Visakha Dance Academy’s 58th anniversary at Kalabharati, Visakhapatnam. Founded and nurtured by Bharatanatyam exponent Mahanti Venkateswara Rao, the academy has been in the forefront in promotion of classical dance in the city for over five decades. Known for discipline and impeccable adherence to tradition, he had set the efficiency bar of the academy high during his time. It is heartening that his wife and noted danseuse Lakshmi Mahanthi and their offspring continue to maintain the institution intact.

Popular padam Indendu vachitivira and a javali Marulu minchera were the highlights of the evening. Radhika Mahanti portrayed Khandita nayaki in the padam with verve. The nayaki puts her lord in dock for knocking the wrong door in moonlight. She detailed the element of possessive nature of the nayaki who was unable to stand even perceived coldness in her intimacy with her beloved. Her abhinaya was remarkable for its finesse. The subtle shades of emotive expression stood well-delineated for each of the lines.

Siri Mahanti was at her evocative best in javali Marulu minchera . She wove the passionate mood of the piece in alluring sancharis that captured the spirit of the nayaki’s mind pining for her Lord.

Sarasi jakshulu , a sabdam, encapsulated Lord Krishna’s pranks with gopikas where he stole their clothes from the banks of Yamuna and teased them. The presentation was marked by its attractive choreography. Sambho Siva Shambho was replete with vigorous thandava aspects of the dance and it was executed well to its minute detail.

Budding talents presented Vinaro Bhagyamu Vishnukatha and Muddugare Yasoda of Annamayya that ably brought out the devotional fervour imbedded in the compositions in an endearing manner.

D. Anindita, B. Tanushka Naidu, S. Sai Sriya, S. Mani Sahasra, Ravi Khushi, V.S.A. Anushka, Sanjay Shankar Mahanti and S. Narayana took part. Guru Lakshmi Mahanti provided nattuwangam and vocal support along with Sanjay. M. Neeladri Rao on violin, M. Yedukondalu on mridangam, S. Kumarbabu on flute, Ayyala Somayajula R. Koundinya on morsing and M.V. Satyanarayana on veena lent good orchestral support.

0 / 0
Sign in to unlock member-only benefits!
  • Access 10 free stories every month
  • Save stories to read later
  • Access to comment on every story
  • Sign-up/manage your newsletter subscriptions with a single click
  • Get notified by email for early access to discounts & offers on our products
Sign in

Comments

Comments have to be in English, and in full sentences. They cannot be abusive or personal. Please abide by our community guidelines for posting your comments.

We have migrated to a new commenting platform. If you are already a registered user of The Hindu and logged in, you may continue to engage with our articles. If you do not have an account please register and login to post comments. Users can access their older comments by logging into their accounts on Vuukle.