Something new, something old

Rare pieces juxtaposed with time-tested compositions... that’s the mantra that most artists follow when it comes to planning their playlists for the Margazhi Season. The same applies to dancers, who lend fresh perspectives to time-tested compositions or choose something that’s never been attempted before. A look at what a few of the dancers have to offer...

December 01, 2014 06:14 pm | Updated April 07, 2016 02:41 am IST

Srekala Bharath.

Srekala Bharath.

Srekala Bharath

This year, Srekala will premiere a new group production which she calls ‘Dharma Swarupam’, on December 17, 7 p.m., at Bharatiya Vidya Bhavan, Kilpauk. “The theme is on sacrifice. I have chosen four characters from mythology and history who are synonymous with sacrifice and stand for their selflessness – Bharata from the Ramayana, Karna from the Mahabharata, Poonkuzhali (Ponniyin Selvan) and Panna Dai (from the Mewar history who sacrificed her son to save the prince),” explains the dancer.

As for her solo Margam, Srekala will include in her repertoire the rare Chokkanathar kavutuvam, which she has re-choreographed, and the Khamas swarajathi, ‘Maa Mohalahiri Meerude,’ a composition of Kadigai Namashivaya Pulavar, set to music by Subbarama Dikshitar.

At a glance

* Dec 6, 7.15 p.m. at Sri Krishna Gana Sabha (Carnatica)

* Dec 7, 7 p.m. at Kapaleeswarar Temple (Giri Fine Arts)

* Dec 18, 7 p.m. at Chennai Cultural Academy

Urmila Sathyanarayanan

“I am right now going through a phase where anything devotional, anything that’s bhakti-oriented appeals to me. And so, I will be presenting a solo dance theatre called ‘Meera: The Lotus of Prem.’ The focus will be the saint-poet’s journey, the trials and tribulations she had to face and her strength of character despite being cowed down by some rather tough circumstances.” Based on Swami Sivananda’s version of the story, the production which will have a theatrical touch, has recorded music with dialogue in English. And yes, M.S. Subbulakshmi’s songs from the film have been included as well. Besides this, Urmila will go Margam with ‘Nrithya Mala: A Garland of Dances’ where students of her dance school Natyaksankalpaa will give a fresh twist to traditional pieces. Urmila will reprise ‘Panchali Sabadam’ which has music by Lalgudi Jayaraman.

At a glance:

* Dec 10, 6.30 p.m. at Meenakshi College (with students)

* Dec 13, 7 p.m., Bharat Kalachar (Meera: The Lotus of Prem)

*Dec 21, 6 p.m., at Kalakshetra (Margam)

Srinidhi Chidambaram

Swati Tirunal’s ‘Sumasayaka’ varnam caught the attention of Srinidhi for its old world charm. “It evokes a sense of languorousness, a sense of peace. It fulfils my vision of Kerala and gives me an opportunity to dance to a composition by one of my favourite composers,” says the dancer who loves to experiment and innovate within the time-tested Bharatanatyam format.

This Season, she will choreograph that beautiful varnam using interesting imagery. Her programme will begin with a masterpiece of Lalgudi Jayaraman (you’ll have to watch her performance to find out which one!). And she has included a tapestry of padams “which will retain the essence of each of the pieces, but where a new idiom will emerge.”

“I may have chosen traditional pieces but I have tired to lend a contemporary touch to the pieces, a different feel and mood to each one of them, thus lending variety” says the dancer.

At a glance

Dec 20, 7.15 p.m., for Sri Krishna Gana Sabha

Dec 24, 7 p.m. Brahma Gana Sabha

January 3, 2015 – inaugural concert for The Music Academy

Narthaki Natraj

“I have written a new Ashtalakshmi varnam in Ragamalika, which extols the various facets of the goddess. I have choreographed it just like my guru Kittappa Pillai wold have done. This is my tribute to him,” says the dancer, who is being honoured by the Tapas Cultural Foundation this December.

But what she is really excited about are the two Kavadi Chindus she has selected -- Bharatidasan’s ‘Kaalukku Punnaillae’ describes a mother’s dream of how she wants her daughter’s life to be; and Annamalai Reddiar’s ‘Arumuga Vadivelanae,’ another beautiful piece. She will also bring back to stage ‘Mohalahiri Kondaen,’ the Thodi pada varnam of the Thanjavur Quartet, besides a jatiswaram in Sankirna Nadai and some Thevarams.

At a glance

Dec 14, 6.30 p.m. - Bharathiyar House,Triplicane

Dec 20, 6 p.m. - TAG Auditorium, Kilpauk Garden Road

Dec 25, 6 p.m., Bharatiya Vidya Bhavan for KFA

Revathi Ramachandran

Revathi will once again present ‘Brahmaatma Chakram: Wheel of Brahman who is the Atman’ which she had choreographed for Natyarangam’s ‘Upanisha Bharatham.’ Says Revathi, “The theme discusses cycle in creation, life and death and day and night.”

She will be joined by daughter Manasvini for a thematic programme titled ‘Laya Nirupanam’ wherethe duo will reprise some of her guru Mangudi Dorairaja Iyer’s compositions, in traditional Margam.

At a glance

Dec 24, 1.30 p.m. at Sri Krishna Gana Sabha

January 1, 2015, 6 p.m. for Indian Fine Arts

Jan 9, 2015, 7 p.m., for Brahma Gana Sabha

0 / 0
Sign in to unlock member-only benefits!
  • Access 10 free stories every month
  • Save stories to read later
  • Access to comment on every story
  • Sign-up/manage your newsletter subscriptions with a single click
  • Get notified by email for early access to discounts & offers on our products
Sign in

Comments

Comments have to be in English, and in full sentences. They cannot be abusive or personal. Please abide by our community guidelines for posting your comments.

We have migrated to a new commenting platform. If you are already a registered user of The Hindu and logged in, you may continue to engage with our articles. If you do not have an account please register and login to post comments. Users can access their older comments by logging into their accounts on Vuukle.