Episodes well enacted

Sobha Naidu and her team breathed life into ‘Navarasa Natana Bhamini'.P. SURYA RAO

February 04, 2011 03:40 pm | Updated 03:40 pm IST

K. Sobha Naidu. Photo: C.V. Subrahmanyam

K. Sobha Naidu. Photo: C.V. Subrahmanyam

A packed Siddhartha Auditorium, Vijayawada, witnessed a superb dance drama performed by Sobha Naidu and her disciples. The programme was organised by Mummaneni Subba Rao Siddhartha Kala Peetham.

The dance drama titled Navarasa Natana Bhamini , written by Dandibhotla Narayana Murthy and set to music by Srinivas, was beautifully choreographed by Sobha Naidu who also directed the show.

Effective lighting, efficient nattuvangam by Kanna Rao and lilting vocal support by Manda Krishna Mohan and Nitya Santoshini took the dance drama to great heights.

The nava rasas were depicted by Sobha Naidu with great abhinaya skill and artistic excellence.

The episodes that represented the nine rasas were Daksha Yagnam and Sati Devi Dahanam (Bhibatsa), Kama Dahanam (Karuna), Siva Vivahantahkaranam (Hasya), aftermath of the wedding of Siva with Parvathi (Sringara), Siva bestowing the boon upon Gajasura (Bhayanaka), the dance of the divine couple (Adbhuta), the annihilation of Gajasura, Mahishasura (Veera and Roudra) and the pacified Devi (Santa).

Sobha donned the main role of Parvathi. The supporting roles were excellently portrayed by Srilakshmi, Nitya Subhaprada, Preeti and Sruta Keerti.

Fine performances also came from Vijayapal (Siva), Ch.Srinivas (Daksha, Mahishasura and Gajasura), Akshara (Indra), Anagha Ganesh (Manmadha), Sowndarya Prakash (Narada), Nandini (Saraswati), Vaishnavi (Bramha), Alekhya (Muni) and Yamini (Muni Patni).

0 / 0
Sign in to unlock member-only benefits!
  • Access 10 free stories every month
  • Save stories to read later
  • Access to comment on every story
  • Sign-up/manage your newsletter subscriptions with a single click
  • Get notified by email for early access to discounts & offers on our products
Sign in

Comments

Comments have to be in English, and in full sentences. They cannot be abusive or personal. Please abide by our community guidelines for posting your comments.

We have migrated to a new commenting platform. If you are already a registered user of The Hindu and logged in, you may continue to engage with our articles. If you do not have an account please register and login to post comments. Users can access their older comments by logging into their accounts on Vuukle.