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Updated: November 9, 2013 23:10 IST

Arrambam: Mission to “mass”

  • Baradwaj Rangan
Comment (10)   ·   print   ·   T  T  
entertaining Arrambam
entertaining Arrambam

Arrambam is a feet-hands-face movie — the kind of hero-centric film made for fans (and you know you’re one if you scream angrily at the screen when a character mocks or insults your idol) who like being teased with their hero’s slow reveal: feet first, then hands, and, finally, to ear-splitting screams and whistles, the face. A lot of filmmakers, when recruited for a feet-hands-face movie, take the easy way out, resorting to fan-appeasing clichés — six songs, five fights, punch lines, the works. Some, like Shankar with his Rajinikanth films, strive for a sensibility midway between that of the rabid fans (who always come first) and those who aren’t especially fans and have showed up just to be entertained.

In Arrambam, Vishnuvardhan manages a reasonable balance. Fans are likely to be delighted with a narrative that pumps up their hero’s strengths (coolness; good comebacks, including a terrific punch line about fingerprints) and downplays his failings (dramatics). And others are likely to come away without feeling too insulted.

For a while, the goings are fairly generic — and in the case of a comedic subplot involving Arjun (Arya) and Anita (Taapsee), downright excruciating. While it’s a relief to be spared of a wisecracking comedian who’s constantly making quips over the hero’s shoulder, Arjun and Anita, after the fiftieth instance of calling each other “baby,” make you wish that one of the numerous firearms in the film had been pointed in their direction.

But once Ashok (Ajith) enlists the services of Arjun, who’s a genius-level hacker, to commit a series of crimes, the film takes off. Ashok’s motives keep us guessing. It’s great to see a big star not worry about his “image” and agree to do scenes like the one where he threatens someone by holding a steam iron over the latter’s infant — and we wonder if he could really be that much of a badass.

Even the heroine (Maya, played by Nayantara) does things you don’t really expect in a feet-hands-face movie. At one point, she shows up in a wet, white shirt thrown over a hot-pink bikini top and micro-mini shorts — none of which would be remarkable if it were a dream scene, a song with the hero, for his eyes only, but here, she attempts to seduce someone else. It’s refreshing to see a non-virginal heroine, even if the part isn’t as well-etched as you’d like it to be.

There’s a sense of Hollywoodian scale in the action sequences (the explosions look cheap and fake, though), and a shootout in a cramped flat is especially well choreographed. And even within the confines of a film where the hero can never be conquered, Arrambam manages, at times, to make Ashok look vulnerable. Arjun manages to outwit Ashok’s hoods, and the cops, too, prove that they aren’t always one step behind.

But once the story brings up a Shankar-style flashback, some of the momentum is lost. The quality that made the first half so different — the coolness, the complete lack of family and tear-jerking emotion — gives way to sentiment, and we’ve seen these scenarios too many times to be really affected. I wished the villains had been better, more worthy of their gory deaths. I wished some of the geographical leaps had been better explained. I wished they’d shown how a character survives what looks like a fatal fall.

But I suppose if these concerns had been addressed it would have eaten into the screen time reserved for hero worship. And if you’re a fan, you’d rather see the hero slip on sunglasses and stride in slo-mo, you’d rather see him whiz through the streets of Dubai on a gleaming Ducati, you’d rather see him — while being tortured by the police, hung upside down and dunked into a vat of water — shake his thala stylishly and send droplets spinning across space. Even when feet and hands are tied, the face cannot be overcome.

ARRAMBAM- Diwali treat for Ajith's fan and others enjoy visual treat+ BGM of yuvan + Ajith's mannerism..

from:  saravanan
Posted on: Nov 7, 2013 at 10:51 IST

Arrambam - Aaaaaa

from:  Anand Parameshwar
Posted on: Nov 6, 2013 at 11:01 IST

Low budget movie are much simpler and realistic, there is a screenplay.
High budget movie hero worship, foreign shots, and nothing else. Thala,
heads down.

from:  Vendhan
Posted on: Nov 5, 2013 at 19:31 IST

visual treat is very good.They had spent lot of money to make a such
kind of colorful movie for satisfying thala fans.Director Vishna knows a
successful formula and pulse of Ajith fans.

from:  ram
Posted on: Nov 5, 2013 at 17:55 IST

Its a good Entertainer, to "KEEP IT SIMPLE" its a Mass Movie

from:  Bala
Posted on: Nov 5, 2013 at 15:43 IST

Aarambam was awesome.

from:  MODI
Posted on: Nov 5, 2013 at 13:02 IST

Swordfish in Tamil ! ! !

from:  Sitaraman
Posted on: Nov 5, 2013 at 11:36 IST

it was a complete trash.mankata was far far better.why does people make movies like this.complete waste of time and money

from:  praveen
Posted on: Nov 5, 2013 at 11:12 IST

Good job of making "mediocre" sound "worth it".

from:  B S Kumar
Posted on: Nov 5, 2013 at 09:25 IST

The movie was downright horrible...It had no story to begin with and
was very predictable..large sums of money were wasted in making this
movie..logic seems to take a beating and we are not given proper
explanations as to how the protagonist is able to survive the
fatal(near) fall from a cliff etc..the hacking of swiss bank accounts
is, but laughable..i could go on, but i think i made my point
clear...i request ppl to watch movies like lunchbox or other lesser
known different tamil movies like 6 candles or moodar koodam..they
were different and good..

from:  Aravind
Posted on: Nov 4, 2013 at 20:55 IST
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