At times, Aravaan (U) is like Apocalypto revisited. The Mel Gibson film on the Mayan Kingdom in Mexico is about a tribesman who tries to escape human sacrifice. This Vasanthabalan creation is somewhat similar. A segment from the Sahitya Akademi Award winning work, ‘Kaaval Kottam' by Su Venkatesan, is the base of Aravaan. In fact, the dialogue is also Venkatesan's. If you close your eyes and listen to the villagers' conversation, the dialect is almost like any Madurai-based film of today. Nothing too archaic about the exchanges! Otherwise, the native culture and social practices seen in Aravaan transport you to a past so ancient that they bring to mind movies of the 10000 B.C. kind, though you are told that it is set in the 18th century.
Discrepancies and anachronisms are a part of Aravaan. While on the subject, heroine Dhanshika's Madurai Sungudi saris draw attention for their incongruity in an 18th century setting! Nevertheless, transcending hiccoughs, the period feel Aravaan offers appears for the most part authentic.
Vasanthabalan tries out different genres — Veyyil, Angaadi Theru and now Aravaan stand testimony to it. The industriousness that has gone into the making of Aravaan is commendable. And you realise that it has been a time-consuming task.
What begins as a story of thieves, their grit, wit, generosity and camaraderie transforms into a tale of woe. Two clans in the villages of Maathur and Chinnaveerampatti are eternally in conflict. And when a young man, Thogaimaan (Bharath in a special appearance), from the former village is killed, the enmity increases. Maathur's thirst for revenge is appeased only when the chieftain announces that a young man from Chinnaveerampatti should be sacrificed as punishment. And Chinnaan (Adhi) is chosen to give up his life.
After this point, the story meanders into melodrama, and culminates in a tragedy that's contrived. Till the end, the hero in Tamil cinema cannot afford to appear weak-hearted. Showing him to be so is a risk. But Vasanthabalan has dared!
A solid role for Adhi, who is working hard to gain a stronghold as hero, and the actor has literally slogged it out. Aravaan provides the right platform for him. He has used it well. Pasupathy's skills shine more in a Vasanthabalan film. Veyyil then and Aravaan now exemplify it. Dhanshika as Paechchi, the strong-willed wife of Chinnaan, is a mix of beauty and talent. And T. K. Kala's (Chinnaan's mother) spontaneity impresses. Generally, Singampuli's comedy tracks are passé, but here he tickles the funny bone now and then.
A host of special appearances adorn Aravaan. Besides Bharath, you have Anjali, Shwetha Menon and Shruti Prakash sharing screen space with the main cast.
Silhouettes in a blue background, sepia that projects the stark dryness of the land, colourful ambience juxtaposed with the darkness of night — Siddharth's sketches with the camera are laudable. And art man R. K. Vijay Murugan has worked in tandem to create sets that look genuine.
Singer Karthik debuts as composer with Aravaan. The reverberating beats in the opening scenes make you sit up with expectation. His RR shows promise, and the melody of ‘Nila Nila' (Gayathri Raghuram's choreography for it warrants special mention) and the fast-paced ‘Avan Dhaan Aravaan,' potential.
The dictum at the end of the film is confounding! Out of the blue, Aravaan raises its voice against capital punishment, as if it were an afterthought!
The ‘additional story' and the screenplay are Vasanthabalan's, says the title card. Add-ons or parts of the original, the flashbacks that zoom in and out, affect the clarity of the narration.
The first half of Aravaan is engaging, but the latter part limps.
Aravaan
Genre: Period
Director: Vasanthabalan
Cast: Adhi, Pasupathy, Dhanshika
Storyline: A murder further divides two ever-quarrelling villages and spells doom for an innocent young man…
Bottomline: A story with speed breakers…
Fantastic effort, in hollywood we can find lot of films like Brave
heart, Gladiator etc.. but in Tamil i believe this is the first of its
kind.
These types of movies should be encouraged big time! Aravaan has an interesting story, great music and excellent casting. Hats off to the Aravaan team.
I saw the movie yesterday and I was happy for balan's attempt for this genre. The movie did not please me much as it was very slow and sluggish. Graphics occupy a very important place in a period film and it could have been handled a lot better. The scene where the protagonist rides on a bull to save pasupathi looked very ordinary and artifical. I liked the way the director dealt with flashaback's inside another flashback. This movie is definitely for the A-list audience and not for the masses.
This movie is a must watch. Slow pace in the second half is needed to
understand the pain. Needs little patience to appreciate the movie. This
movie is awesome in all means. The team should be lauded for their
effort to make a movie which stands out from the regular masala movies
taken in Tamil cinema. These type of movies should be encouraged.
Excellent movie!!Must watch movie!!
It reveals how sothern tamilnadu people lived in 18th century. It allows thinking everyone to live like 18th century people but, without the prejudice and stupid king .
It is highly impossible now
Also, this film explains the prejudice (Kill one for any good activity to start) followed in 18th century.
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