Baradwaj Rangan recalls the Tamil films of 2015 that, even if not great in the overall sense, stood out for some reason(s). Here, in alphabetical order.
1. 144
Photo: Special arrangement At first, I found the narrative a rhythmless mess, too “quirky” for its own good. But slowly, I tuned into the film’s vibe, and just thinking about the bits now -- a gangster named ‘Feelings’ Ravi, the bemused cop who keeps saying “kandippa” -- is making me smile.
2. Baahubali
Photo: Special arrangement The year’s most spectacular film isn’t just about grandeur in visuals. It’s about grandeur in ideas. It’s proof that a talented, imaginative filmmaker can take a masala story as old as the hills and make us feel we’ve never seen anything like it. It’s why wolf whistles were invented.
3. Bench Talkies:
Photo: Special arrangement This collection of short films was a disappointingly mixed bag. But the fact that something this offbeat – with varied subjects, from an existentialist take on two men who lie bleeding on a hillside to Karthik Subbaraj’s tragic drama about fishermen in dangerous waters – made it to theatres makes me want to cheer a bit.
4. CSK - Charles Shafiq Karthiga:
Photo: Special arrangement A beautifully written thriller woven around the events of a single night. The making, hampered by obvious constraints (budgetary and otherwise), doesn’t match the writing, but that’s easy to overlook. Once the plot kicks in, the focus is laser-sharp.
5. Indru Netru Naalai:
Photo: Special arrangement Sci-fi isn’t easy to pull off in the Tamil mainstream, and there is alot of spoon-feeding in this yarn about a time machine. But it all goes down smoothly, even if this is more of a comedy than the thriller it wants to be.
6. Kaaka Muttai:
Photo: Special arrangement Two children who live in a slum want to taste pizza. From this premise, we get something so entertaining — part crowd-pleasing art film, part arty crowd-pleaser — that it’s easy to forget how sad the undercurrents are. Stunningly made and performed.
7. Kirumi:
Photo: Special arrangement This story of a microscopic man who wants to become a big shot is a superb, low-key character study masquerading as a thriller. One-of-a-piece, free of false notes – and there’s attitude from start to finish.
8. Kuttram Kadithal:
Photo: Special arrangement This biting drama set in and around the school system (and the System) is about a number of things: Communism, Maxim Gorky, motherhood, religion, humanity… and a call for revolution. Very fine filmmaking, which immerses us in its world.
9. Moone Moonu Varthai:
Photo: Special arrangement This is on my list simply because it’s a reminder that we don’t get many easy-watch romantic comedies. Too low-key for some tastes, but it’s pleasantly nuts and full of little surprises – plus, there’s a nice little high concept tucked in.
10. Naanum Rowdy Dhaan:
Photo: Special arrangement A Kill Bill-like premise about a woman out to avenge herself on a gangster becomes an entertainingly silly comedy about an anti-rowdy. A welcome return to form for Vijay Sethupathi, who’s surrounded by a crack team of comics, including Parthiban in glorious form.
11. O Kadhal Kanmani:
Photo: Special arrangement The classiest romance of the year. I wish there had been a little more conflict in this story of a couple in a live-in relationship, but the leads are delightful and Mani Ratnam keeps you smiling through their ups and downs in the way only he can.
12. Orange Mittai:
Photo: Special arrangement A road movie. A drama about fathers and sons. And a moving exploration of loneliness in one’s advanced years. The title may refer to candy but the film is a quiet ode to the bittersweet life.
13. Papanasam:
Photo: Special arrangement The best of Kamal Haasan’s three releases this year. The thriller may have worked better for those unfamiliar with the Malayalam original, but the attraction for Tamil viewers was the opportunity to watch the rare common-man performance from the actor, who pitches his histrionics at the exact “cinematic” level the cinema-crazy character demands. He’s terrific.
14. Purampokku Engira Podhuvudamai:
Photo: Special arrangement Despite some grippingly cinematic portions in his films, SP Jhananathan still comes off less a filmmaker than a pamphleteer. But the points he brings up are incendiary. One of the pleasures of this entertaining prison-escape drama is that it also makes you think.
15. Rajathanthiram:
Photo: Special arrangement A solid thriller about small-time crooks planning a big-time heist. It’s been a good year for first-time filmmakers, and director AG Amid, refreshingly, appears to be operating out of a love for cinema rather than fear of the box office.
16. Thamizhukku Enn Ondrai Azhuthavum:
Photo: Special arrangement While our big-name filmmakers refuse to budge from formula, it’s the newcomers, like Ramprakash Rayappa, who keep taking us someplace… well, new. The film isn’t quite the ticking-clock thriller the premise suggests, but with so many laughs, why complain?
17. Thani Oruvan:
Photo: Special arrangement Overlong and a tad preachy – but this is a pretty smart, pulpy thriller, a sustained cat-and-mouse game between hero and villain. And with far more style than you expect in a… Mohan Raja movie. Just what has he been having for breakfast?
>Also watch: Jayam Ravi talks about 'Thani Oruvan' and upcoming projects
18. Thilagar:
Photo: Special arrangement One way to regard this insightful, empathetic rural drama is as a rehash of Thevar Magan targeted at the C-centre audience. A pacifist is forced to take to violence when his brother is killed. Lots of action, and some bravura filmmaking, but the film is more about the emotional cost of violence.
19. Trisha Illana Nayanthara:
Photo: Special arrangement The year’s most honest movie. Director Adhik Ravichandran promised a cheerfully crude entertainer made with hormanal teens in mind, and he delivered exactly that. I wish he’d pushed the ‘A’ rating further, gotten his hands dirtier, but give the film credit for making the “virgin” hero the butt of all its jokes.
20. Yennai Arindhaal:
Photo: Special arrangement Despite the fine craftsmanship, somewhat disappointing as a Gautham Menon movie. But a first-rate Ajith outing, the rare star vehicle that showcases the leading man as not just a masala god but also a fairly ordinary human being.
>Watch: Gautham Menon on Kamal Haasan, Ajith and his dream project
