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A still from the play ‘Kimartham Draupathy’
A still from the play ‘Kimartham Draupathy’

Call of the stage

'Kimartham Draupathy', Aswathy Vijayan’s Sanskrit play, is about predicaments that women face even in the present day. The drama will be staged today »
Actor Y.Gee. Mahendra along with his troupe performing ‘Soppana Vazhvil’. Photo: B. Velankanni Raj

Dream does the trick for this play

Y Gee Mahendran’s ‘Soppana Vazhvil’ is a witty commentary on the unruly ways of society, writes Srivathsan Nadadhur. »
Team Unarvu that staged the play ‘Oru Serial Durantham’

Take one: scene one

Unarvu, the senior citizen’s forum, makes its debut in theatre »
FROM SURREAL TO REAL A scene from the play.
Delhi,, November 18, 2016

The colour of nightmare

Torit Mitra, a painter-turned-playwright-director, is a keen observer of humanity living in a world torn by national chauvinism, war and mutual distrust . His plays staged by Sansaptak, a leading thea... »
A performance of Yakshagana
November 17, 2016

With a touch of refinement

‘Dramatic, funny, professional...’ may describe the Soorpanaka Prasanga by Shri Idagunji Mahaganapati Yakshagana Mandali, Karnataka. It was presented by Kalakshetra Foundation in their interactive fes... »
A scene from “Biwion Ka Madarsa”
Delhi, November 11, 2016

Touch of parody, tinge of nostalgia

The four-day 28th Urdu Drama Festival organised by Urdu Academy, Delhi at Shri Ram Centre ended with the presentation of “Ek Nishani Ghalib Ki” by Eden Art And Cultural Society this past week to a jam... »
RAISING THE BAR Himani Shivpuri
Delhi, November 10, 2016

A lasting relationship

“The most challenging part of being an actor is that every time you play a character, you have to start from ground zero. The best part is that you get to live so many lives through your characters,” ... »
K. V. Akshara
Bengaluru, November 10, 2016

Finding meaning in the mundane

If you have to describe, say a writer, you would perhaps speak of the key features of his writing. Maybe his style, his language and his chief creative concerns. But in the case of K.V. Akshara, this ... »
COMMITTED COUPLE: Swiss theatre director Heinz Gubler and his writer wife Christine Finderknecht in Madurai. Photo: R. Ashok
MADURAI, November 3, 2016

Art of acting

“Like mudra in traditional Indian dance performance, Noh is integral to Japanese dance art. It is more theatrical,” says popular Swiss theatre director and filmmaker Heinz Gubler, who uses this techn... »
‘Dowry Kalyana Vaibhogame.
October 27, 2016

Reflection on society

A middle class family anxious to get a girl married. A pompous (rich) mother, who gives a long list of demands if her son should tie the knot. A meek son, who goes along with his mother’s wishes. Sou... »
Kalanilayam Rajeevan Photo: K. K. Najeeb
Thiruvananthapuram, October 27, 2016

Stickler for tradition

Any classical art form of Indian origin is bequeathed from generation to generation through guru-sishya parampara. For the same reason, to be groomed by maestros is a privilege that any young artiste ... »
STRIKING A CHORD Himani Shivpuri in “Akeli”
October 20, 2016

When stalwarts take stage

Not long ago, Himani Shivpuri in the role of the stepmother in the play “Tughlaq” directed by Bhanu Bharti delivered her lines with inner motivation in an accent clear and forceful in chaste Urdu inte... »
DIFFERENT POINTS OF VIEW A scene from Kalandugeya Kathe
Bengaluru, October 20, 2016

Of dramatic possibilities

Ninasam Tirugata’s play Kalundugeya Kathe directed by Venkataramana Aithal, repeatedly breaks the notion of time, for its own self and for its audience. The play, though based on the Tamil epic Silapp... »

Bonds that last

Food for thought

Pride comes before a fall

On black holes ’n’ human nature

Resolve of the oppressed

A traditionalist to the core

On a quest in a virtual world

A new medium for narration

Off the beaten path

Poets at Amaravati Poetic Prism 2016, Vijayawada. Photo: V. Raju
November 17, 2016

Amaravati Poetic Prism 2016 : Poetry sans barriers

As bright sunshine enveloped the banks of river Krishna at Bhavani Islands, Vijayawada, poets across the world shared a common stage to unveil ‘Amaravati Poetic Prism 2016’ officially the largest poet... »
A scene from Gauhar
HYDERABAD, November 12, 2016

Gauhar, the fall of a star

The life of Gauhar Jaan is tailor made for the stage. Her ability to sing in over 20 languages, surviving an abusive childhood to a failed love life as against her fame and stature in the early 20th c... »
Shabana Azmi in a still from the play. Photo: Special Arrangement
Chennai, November 10, 2016

What the mirror says

She’s had little success as a Hindi writer and is despondent. But then she strikes gold with her writing in English. Torn between her success and perceived betrayal of her own language and identity, ... »
A scene from the Telugu drama ‘Adavi Diviteelu’, penned by Vangapandu Prasada Rao and directed by Bhallamudi Rama Murthy, presented at Kalabharatiin, Visakhapatnam. Photo: C.V. Subrahmanyam
VISAKHAPATNAM, November 10, 2016

Multiple themes, diverse genres

A four-day multi-lingual theatre festival showcased diverse themes in a wide canvas from mythology to historical and social concerns at Kalabharati Visakhapatnam. A string of the theatrical troupes fr... »
FROM THE LAND OF MUSTARD FIELDS A scene from the play
Delhi, November 4, 2016

When dreams are shattered...

Music plays an important role in dance theatre and it is also considered an essential element of expression of ideas, moods and poetic imageries. Its role in the theatrical art is increasingly becomin... »
Room for thought on urban migration and identity
Park, play, theatre, Manav Kaul, October 27, 2016

Parking space

The English version of Park, translated by Deepa Gahlot, written by award-winning playwright, actor and director Manav Kaul and directed by Nimi Ravindran, is being performed at Jagriti Theatre. Park ... »
A scene from ‘Crazy thieves in Palavakkam.’
October 27, 2016

When Palavakkam was an outback

100 MINUTES – 200 JOKES is S.Ve. Shekher’s tag line for his plays and he has always lived up to it. Watching ‘Crazy Thieves in Palavakkam,’ Mohan’s script that set a trend in Tamil theatre and got him... »
GETTING INTO THE GROOVE: Students of E.M.G. Yadava Womens College performing Shakespeare’s A Midsummer Night’s Dream. Photo: R. Ashok
MADURAI, October 26, 2016

Shakespeare all the way

The path leading to the auditorium was decorated with rangoli portraits of Shakespeare as students flanking the pathway welcomed the guests with broad smiles on their faces. It was carnival time at t... »
S.N. Parvathy, Delhi Ganesh, Kathadi Ramamurthy (centre) and Shivaji Chaturvedi Photo: S. R. Ragunathan
October 20, 2016

It is a ‘golden’ milestone

A crucial scene is playing out on stage. An actor receives a telegram informing him that his wife is dead! But instead of showing grief and shock, he bursts into laughter. Perplexed, the other act... »
Kalamandalam Balasubramanian as Daksha and Kalamandalam Hari R. Nair as Veerabhadra in ‘Dakshayagam’. Photo: Hareesh N. Nampoothiri
Thiruvananthapuram, October 20, 2016

The price of arrogance

Although set in a mythical background, Irayimman Thampi’s ‘Dakshayagam’ is all about relationships and associated troubles, that all of us are familiar with. The protagonist is Prajapati Daksha, who i... »

The lovable everyman

The voice of change

An equal music

As they like it

Beneath the covers

Play of emotions

A star-studded show

Rediscovering Hamlet

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